Distinguished Lecture

The Female Artisan: Gu Erniang and the Craft of Inkstone — Making in the Early Qing

Asia/Hong_KongThe Female Artisan: Gu Erniang and the Craft of Inkstone — Making in the Early Qing
    Asia/Hong_KongThe Female Artisan: Gu Erniang and the Craft of Inkstone — Making in the Early Qing
      Overview

      Title:

      The Female Artisan: Gu Erniang and the Craft of Inkstone — Making in the Early Qing

      Speaker:

      Professor Dorothy Ko (Honorary Professor, Hong Kong Institute for the Humanities and Social Sciences, The University of Hong Kong; Professor of History, Barnard College, Columbia University)

      Date:

      November 19, 2015

      Time:

      4:30 pm – 6:00 pm

      Venue:

      Lecture Hall, G/F, May Hall, The University of Hong Kong

      Language:

      English

      Enquiry:

      (Tel) (852) 3917-5901
      (Email) ihss@hku.hk

      Abstract

      This presentation focuses on one unusual woman, Gu Erniang (fl. 1700 – 1725) of Suzhou who was more famous than her male kin and colleagues as an innovative inkstone-carver. Her career and fame, I argue, are enhanced by two developments in the early Qing: professionalization of the handicraft trades as well as the affinities between inkstone-making and epigraphy. I conclude with a discussion of the methodological challenges of restoring the artisan to their rightful places in Chinese history.

      About the Speaker

      Receiving her BA and PhD from Stanford University, Professor Dorothy Ko is the Professor of History at the Barnard College of Columbia University. As a cultural historian specializing in gender and body in early modern China, she is the author of several influential works, including Teachers of the Inner Chambers: Women and Culture in Seventeenth-Century China and Every Step a Lotus: Shoes for Bound Feet. Among them, the monograph Cinderella’s Sisters: A Revisionist History of Footbinding was awarded the Joan Kelly Memorial Prize of the American Historical Association. Recently, she was awarded an ACLS fellowship (2012 – 2013) for her current project on female artisans in China.

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